Saturday, June 27, 2015

Art-A-Fair Arroyo Landscape

"Arroyo Landscape"
oil on panel, 2015
6" x 8" (15.24cm x 20.32cm)
Available at Art-A-Fair here

Art-A-Fair is underway now with this being the first weekend. The grounds look spectacular thanks to the volunteer staff that put a lot of work into every detail. There are countless other jobs we don't see, like promotion and administrative, done by the volunteers that go back months, long before we exhibiting artists show up.
So thanks to all!

Here is one of my new paintings currently hanging on my wall.

While researching an illustration for a magazine I visited this arroyo at the northern rural end of the Santa Ana River in San Bernardino California. Down in the arroyo it is like being in another place.
In our otherwise dry savanna climate it feels like an oasis teaming with a variety of lush green trees, vegetation and wildlife year round.304

Friday, June 26, 2015

Art-A-Fair Premiere Night

Wednesday was Art-A-Fair's Premiere Night. There were a lot of people in attendance and excitement in the air.
Several friends stopped by my booth to say hello, see my work and give me their best wishes.
One of them was Terry DiLisi pictured here with me and talking with my sister Jennifer.
Two of my paintings sold to another friend, artist Wendy Wirth and her husband. Thank you Wendy and Scott!
Wendy is one of the featured artists across the street at Festival of the Arts. My best wishes for many sales go out to Wendy!

Today is the grand Public Opening with a ribbon cutting ceremony at 10:00 am.

Tuesday, June 23, 2015

Art-A-Fair Ready

Here is the final hang for my booth at Art-A-fair.

Tonight we enjoyed a delicious Artists Appreciation Dinner compliments of the generous owner June Neptune of Tivoli Too restaurant.

Thank you June!

Tivoli Too is on the Art-A-Fair grounds so after dinner we artists got to walk around, get to know each other, visit booths and talk art without any crowds. Very pleasurable relaxing night and with this being my first year I was happy to meet many of the other artists.

Ready for opening!

Sunday, June 21, 2015

Art-A-Fair Hanging and More Hustle and Bustle

It was another busy day at Art-A-Fair. Everyone was rushing around like ants after a good rain installing art and finishing their booths.

Here are some pics as we were hanging my paintings, a job that always takes longer than planned doesn't it?
Second photo down is my sister Jennifer who is an Interior Designer and brings her own expertise to the hanging, the layout and colors here, the framing, and too many other tasks to mention. The ones we artists don't like doing! She will also be sitting in my booth for much of the fair when I am not there.
Jennifer also designed my Avid Art logo, my promotional material, new business cards, postcards, letterhead etc. Without her I would not have the high level of professionalism in everything beyond the  paintings.
So a big thank you Jennifer!

The third photo down you can see Amanda Fish in the background. She is the friend who encouraged me to enter this years Art-A-Fair after visiting her booth in 2014.
We have our booth's just around the corner from each other which is really cool.

There are a couple of new landscape paintings to hang in the lower right after I pick them up from the framer in the morning. We still have to hang the title/price labels and have just a couple little details to do but other than that my booth is ready for the opening!
Whew! So much work! But really satisfying as we near the grand opening!
Then... maybe I will have, no... schedule, some time for sleep!

Saturday, June 20, 2015

Art-A-Fair Booth Final Touches

Today Art-A-Fair was a beehive of activity. I think everyone was there, with their helpers, finalizing their booths, installing art now that there is 24 hour security on site. This was after our final training meetings.

Here are a couple more pics from yesterday of the type logo going up and 2 from today after adding lights and a baseboard.
Back tomorrow to hang paintings! Still seems like there are a ton of little details to take care of! Because  there is!
Gotta go, back to the easel! Still have some paintings in progress!

I'll post some pics of my finished booth tomorrow eve.

Friday, June 19, 2015

My Art-A-Fair Booth

Today I was down at Art-A-Fair painting and preparing my booth for next weeks opening night.
Here are some pics of me painting the wall and logo stripes and applying the logo type.

Although I have been frantically painting in the studio, sending paintings off to the framer and doing all the other countless tasks, excited about the summer festival, it now feels real. Seeing it all come together always makes the difference. Up to this point all the planning, meetings and talk has been on paper or in my mind.

Now I can see it in the flesh!
Stay tuned for more...

Art-A-Fair Sneak Peak PHL 67 First Rain

"PHL 67 First Rain"
oil on panel, 2015
5" x 7" (12.7cm x 17.78cm)
Available at Art-A-Fair here

It's nearly here!
As the curtain is about to be raised at Art-A-Fair I will be leaving San Pedro and rolling into Laguna Beach with a load of cargo... my paintings! ; )

Art-A-Fair opens in one week, opening night is Friday June 26th.
Here's a little sneak peak of one of my paintings in the show.

I do love to paint weather and despite another year of almost zero rain here in So Cal I show the 67 from my Pacific Harbor Line series with a rain cloud behind it rolling across the same street as this one here, but coming from the other direction.

If you follow my blog you know there has also been a drought of postings due to all the work it took to ready for this show (and other projects) Well, the drought is over so stay tuned as I will be posting more now that the show is beginning... 303

Saturday, May 9, 2015

Lone 2 - Dockside Red Shed

"Dockside Red Shed"
Watercolor on paper, 2015
15" x 20" (38.1cm x 50.8cm)

Here's a recent watercolor of an old shed in a marina in the LA Harbor. It is similar to this one in it's rendering, although it is a more tightly packed composition, and this one for the lone idea behind it.
I was drawn to not just the shed, I love corrugated buildings, but also the small palm and the two backlit plastic barrels for their luminosity.
Besides adding some shape variation to the composition they countered the predominant rectangular forms with cylindrical and radial (round or circular) forms. Just enough to break up a static composition.

The palm leaves fanning out in the lower left corner and the short retaining wall lead nicely to the barrels and shed, the power lines reinforcing the diagonal compositional thrust from lower left corner. Without that everything is horizontal and square and dull.

After those initial observations that first get my attention, when I sit down to paint I always realize the other artistic decisions that must be made before I put paint to paper. That for me is the real content, the design just aids in making it work.

I have to identify what I was seeing and decide how to portray those impressions through paint.
It's not always automatic.
What I was really seeing was not just the shed itself but how it sat by itself on the large dockside slab, isolated from the rest of the buildings.

The warm bright slightly overcast sky and simplified foreground communicated that idea of the isolated shed and also helped ease its busy liveliness. A nice clear blue sky or clouds would not have done that. Pretty blue skies generally say happy or pleasant, clouds say another depending on how they are portrayed, a dark sky says something else. But a bright nearly colorless sky doesn't draw attention to itself and in this case this reinforces the lone subject.

Since all the vibrancy takes place across the center in the shed itself its shadow needed to belong to it and differ from the barrels and palm shadows. So it starts green at left and after turning the corner is warm blue.

I also decided that since the shed had such a strong red color and aged patina showing the rippled surface of the corrugated metal was not necessary this time... it was busy enough.302

Tuesday, April 14, 2015

My Art-A-Fair Website Page

You can now visit my Art-A-Fair page on the website by clicking the link at the top of the right column at any time. It is exciting to see it all coming together. My booth is B20 and I will be near the friend who recommended I apply, oil painter Amanda Fish.
Also be sure to visit Art-A-Fair on Pinterest, Twitter and facebook.

Stay tuned for more updates as the show nears.

Thursday, April 9, 2015

Accepted into "Splash 17 : Inspiring Subjects" !

"E 4th St, Bridge"

I just received the great news that my painting "E 4th St. Bridge", which I mentioned earlier here on my blog, has been accepted into "Splash 17: Inspiring Subjects", the annual watercolor book published by North Light Books.
As follower's of my blog already know I am always inspired by industrial subjects and my city of Los Angeles. All cities have their own great landmarks and little treasures and I love seeking out the ones in my own. I have seen paintings of the 4th St. Bridge before but I hope that by focusing on the section that splits to E 4th Place I caught a unique view that has not been painted too often. I loved this view for its dramatic composition.

Since I have been super busy preparing for this summer's Art-A-Fair and with so many other projects happening all at once this kind of news is a boost to my weary bones, sore back and tired eyes. Exactly the shot I needed right now!
From the way things have been going so far it looks like 2015 will be a high watermark year for me, even with our extreme drought!  ; ).

Thursday, April 2, 2015

Digital Sketches

digital, SketchBook Express app

Here's some quick iPad gestural sketches done in the SketchBook Express app. I have been working at it more recently so I'm getting a little more comfortable with it. Previously I would work on it then not touch it for a long time, never really getting the hang of the medium. I still don't have a good stylus though. I have tried 2 or 3 and they don't feel as natural to me as pen or pencil on paper. I am still getting used to the way they drag across glass, that tactile sense.

As I work on multiple projects, like my upcoming summer show at Art-A-Fair, I am finding that working on the iPad is a great way to take a break from them briefly while still keeping my head in the game and just letting it flow. If I don't like one, DELETE.
These were done from life. The top one he was watching a TV mounted to the wall at a laundra-mat, the others folding clothes.
It can be hard to work from life and still find some kind of action instead of stationary or posed figures. The Laundra-mat proved to be a good place because even though they are moving they are doing the same repetitive motions, making gestural drawings easier to do because I don't have to get it all at once or remember the action entirely.299,300,301

Tuesday, March 24, 2015

Digital Value Study

"Street Corner"
digital, Brushes app

Busy, not a lot to post so here is a was-supposed-to-be-quick digital value study.

More from the Brushes app which is still frustrating me, sometimes with what I can't do, so this one is a little uneven. I am going back and forth between cursing the medium and just trying to get down what I do know how to do. Damn.
I just want to be able to do location studies for paintings. Maybe I'll have to wait for a better app which means a newer iPad. My iPad 1 won't update any further and I can't download much in the way of newer apps.298

Thursday, February 12, 2015

Summer Art-A-Fair

I have great news. This past weekend I submitted work for jurying into the Art-A-Fair in Laguna Beach California and I was accepted.
Laguna Beach is a major art destination known for its art galleries, art walks, the  Laguna Art Museum , the Laguna College of Art + Design and famous resident artists.

It is an annual two month (66 days) art fair in one of three venues clustered together in the Southern California art colony. The other two are the Festival of the Arts, also known for its spectacular Pageant of the Masters Show and The Sawdust Festival. All three take place simultaneously.
The show opens June 26 and goes until August 30 2015.

Great art event in a great art town during our beautiful summer.

I must thank my artist friend Amanda Fish who encouraged I enter after I visited her booth at Art-A-Fair last year.

Time to get busy painting so I have enough work for the show.

More posts to follow as the Fair draws closer and I get more details.

Thursday, January 15, 2015

Santa Ana River 5 Vespertine painting

"Santa Ana River 5 (Vespertine)"
watercolor on paper, 2014
6" x 18" (15.24cm x 45.72cm)

This is my painting for the article "The River in Me" by Susan Straight for Orion magazine. See previous post.

The client wanted to see more color than my more urban versions of the river to communicate the lush verdant arroyo and river banks of the author's essay.
If you are not familiar with Southern California's landscape much of it is either desert or savanna, dry most of the year. But the river basins are teaming with green lush vegetation and wildlife year round.

I was happy I visited the site because I learned that at this time of day with the river sitting down in the arroyo the long streaking shadows are gone as the sun drops behind the hills but there was still plenty of light in the landscape.

We originally talked about showing some evidence of the manmade as you can see in the some of the sketches in my previous post but we arrived at this one (sketch 3) and I was happy with it.
When you are down in the arroyo, although there is some of the manmade, you do feel like you are away from the city and the final painting reflects that as well as that same feeling in much of the article.
What did remain was the distant dry desert mountains of Southern California in the background.297

Friday, January 9, 2015

Santa Ana River 5 Vespertine sketches

"Santa Ana River 5 (Vespertine)"
pencil on paper, 2014

This is a recent commission for Orion magazine. Today the thumbnail sketches, tomorrow the painting.
My art is featured in the current January/Feburary 2015 issue.

I was contacted by the magazine after they found my Santa Ana River series while researching an article for their magazine. The article titled "The River in Me" by Susan Straight is about the authors experiences with the northern section of the Santa Ana River here in Southern California.

After some emails back and forth I decided to visit the site in person. The northern section of the Santa Ana River is more rural or natural than my more industrial/city versions I had done previously and I needed to get a feel for it so I could be as true as possible to the site and especially the author's vision of it.

I did some value thumbnails and sent these six for approval.
We decided on number 3.

Vespertine refers to the hour before sunset, not quite dusk or twilight. Poetically it is the magic hour.
While visiting the site I made it a point to really pay attention to the quality and the amount of light and I was surprised how much light is still in the landscape that final hour, more than I expected, much more than dusk but still a different quality than earlier in the afternoon.

As part of my research I took photos of course and although I originally planned to do color sketches on site. Once there I changed my mind.

The alternative was to simply stop and pay attention, make mental notes or write down thoughts. I have found I will remember more when I make it a task in itself.
Photos are good for the technical information and on-site sketches are only good to a point when it is late and the light is changing by the minute. We can get caught up in making the sketches and miss a lot of change. I might get down a color sketch or two but I gained much more by simply observing then committing it and trusting it to my memory.295,296

Thursday, January 1, 2015

E 4th St. Bridge

"E 4th St. Bridge"
watercolor on paper, 2013
10" x 15" (25.4cm x 38.1cm)

Happy New Year!

I recently submitted this painting for Splash 17, the annual book on watercolor.

The solid but well aged E 4th St. Bridge near downtown Los Angeles, a concrete arch bridge built in 1930.

This section is referred to as the 4th St. Bridge split, where it splits south to E 4th Place. It is on the western side of the Los Angeles River and viewed from under E 4th Place.

Often when I paint an older structure I show it as it is today. Here I anchored it in the present by adding the orange fluorescent traffic cone and post.294

Wednesday, December 3, 2014

Small Works Show - Matrix 3

"Power Plant Interior 3"
oil on panel, 2014
5" x 7" (12.7cm x 17.78cm)

This painting will be in the Annual Holiday Small Works Group Show at Segil Fine Arts Gallery in Monrovia California.
Opening night is Saturday December 6th 2014 from 5:00-7:00pm.

The Gallery will be changing its ownership and name for 2015 to Saga Fine Art Gallery.

From my Power Plant Interior Series.
It is one of the most fascinating buildings. Several stories high with the interior nearly wide open and a matrix of pipes, valves and walkways, steel and concrete, vast and deep.
Built between 1954 and 1967 it is well-worn and distressed with peeling paint and is a dinosaur in technological terms.

The light filtering through the translucent windows is a cool pale yellow, the walls and pipes are painted in ochres and creams and turn to earthy oranges in the deeper recesses of the cavernous plant.293

The others in this series:
"Power Plant Interior #1"
"Power Plant Interior #2"
"Power Plant Interior-Study #1"

Here are my paintings of the exterior of the same plant:
"Resting Tractor (w / Retired Power Plant)"
"Retired Power Plant"

Saturday, November 22, 2014

Rusty Haze

"Oil Plant 11 (Rusty Haze)"
oil on panel, 2014
6" x 6" (15.25cm x 15.24)

Number 11 in my series of the Oil Plant, actually an oil pumping station from the 1930's or 40's I think.
(I've done more than 11, some were not titled within the numbers) Unfortunately it is gone now but my series will continue. It is a hazy memory.
I left out quite a bit of the pipes and such in the background, more than I usually do. I reached a point and it just felt right for this one. It was more about the thick atmosphere.
But then I take another look and think it may have been better with just a whisper of them here and there.
Who knows. It's probably better to move on to the next one.292

Friday, November 7, 2014

My Pinterest Page

OK, I have been busy with multiple projects lately and have not been posting here to my blog.
I have however managed to start a Pinterest page, something I have had in mind for a while.

Of course it is a work in progress and incomplete for some categories but I felt I had enough uploaded to make the announcement here.

One advantage, unlike my Daily Paintworks gallery or this blog, is you can see more of my art on the screen at one time regardless of its status.

My DPW gallery does not include work sold before I joined it or artwork not available for sale. The blog format does not allow for simple showcasing of my artwork by subject, genre and series or without scrolling through posts or using keywords.
DPW serves primarily as a sale site, my blogs, Avid Art and Avid Art 2, as a record of my thoughts and ideas behind the work and my Pinterest page as a showcase of work past and present, preliminary and finished.

It serves a different purpose. Easy and quick viewing of my art.

Seven online locations, links:
David J. Teter on Pinterest.
David J. Teter on Daily Paintworks
David J. Teter on Avid Art 2 blog
David J. Teter on Google Plus
David J. Teter on You Tube
David J. Teter on Linkedin
... and, you are already here but go ahead and click anyway  ; ) ...
David J. Teter on Avid Art blog

Friday, October 31, 2014


Saturday, October 4, 2014

Blog Hop Around the World

I am honored to have been selected (tagged) by Wendy Barrett for the Blog Hop Around the World . Thank you Wendy!
Check out her recent ink drawings she has been doing for the 30 day Challenge.
The Blog Hop Around the World is a casual way to share blogs with others around the world and generate new visitors to our own.

I am tagging...
1. Katherine Thomas - With Pencil and Pen
Katherine's work is primarily in  the dry media of colored pencil, graphite, pen and ink (wet medium?).
She does meticulous architectural drawing house portraits, drawings on old envelopes (postage), and drawings of often poetic sometimes whimsical fantasy subjects.
In her postage drawings she really takes advantage of the envelope itself , allowing it to become part of the drawing, giving them further vintage quality in addition to her pen and ink style.

2. Suzanne Berry
Suzanne's work is often large photo realistic canvas's of still life's, portraits, dog portraits and insects. She has a strong sense of color and frequently places her subjects against stark white, variations of warm and cool gray or near single color backgrounds singling out the subject and giving them more importance than a mere painted depiction of them. Her pet portraits especially, are imbued with a regal quality that is enhanced by the simple and elegant background treatment.

3. Michael Perchard - art by michael perchard
Michael is the most enthusiastic blogger and artist I know through the blog world. He is passionate about his hometown of Boston and is certainly The Ambassador of Boston and Goodwill.
His art is equally passionate as he fearlessly throws down the paint, unafraid to attack the canvas. His seascapes are always so turbulent and energetic and his heartfelt paintings for friends, causes and tragic events brings out his true nature. He loves his hometown and much of his work is also of his neighborhood and from his past.

I did not hear back from the others so I decided to proceed with my post.
Update: Two of my picks above, 2 and 3, are now added.

1. What am I working on now?
    The short answer is everything. It is normal for me to have many paintings going at once in both watercolor and oils and to be making drawings in between.
    I am one who never works on one project or painting at a time until finished. This is especially true of oils and large watercolors. Part of the reason is I work in layers in oils and need each to dry before proceeding. I also have very thoughtful approach, whether I have done thumbs and studies beforehand or not I carefully consider each step.

I am currently working on a seascape series, continuing on my Catalina Pacific Concrete Series and my favorite, the industrial subjects, as well as a few misc things.
I always have a couple locomotives in progress, and getting ready to work on some cityscape and landscapes.
So my palette is full.

2. How does my work differ from others of its genre?
    I don't know how it differs from others... that might be a question better answered by others... other than it is my own view/thoughts that no one else has so I hope it comes across as unique to me.

3. Why do I create what I do?
    Coming from an artistic family it has always been in my blood and is how I see the world so it is perfectly natural to communicate visually.

4. How does my creating process work?
    It starts with a lot of thinking about a subject or artwork first followed by questions to myself. What struck me about the subject or scene?  How do I say visually what I see? etc.
Then when I identify that I will do thumbnails or studies to work out the mechanics of composition etc.

Sometimes I will dive right into a painting when I have a good visualization in mind already and know what I am going to do with it.

Below are some quick pics of works in progress, my working studio and the gallery room of my studio.
I say quick pics because the color may be off on the WIP's.

Work in progress

Work in progress

Work in progress

Work in progress on my easel




Monday, September 29, 2014

Blog Hop Delay

There will be a slight delay for my posting in the Blog Hop Around the World as I have been so busy lately. Have you ever had a period when you don't know how you will get everything done and yet you already feel like you are working at a frenzied pace?

It's like this. Take a cup, fill it to the brim with water, now run as fast as you can down the street without spilling a drop or you've lost. Yep.

I should be up to date by the end of the week and will run the post by then so stay tuned.

Sunday, September 14, 2014

Watercolor Landscape - Storm

"Storm Over Cajon"
watercolor on paper, 2014
9" x 13" (22.86cm x 33.02cm)
Direct link to painting here

Although I would describe myself as a fair weather person I love stormy weather. It always makes for a great painting subject.
A nice dramatic storm rising from the Cajon Pass, the long climb from San Bernardino to the high desert, is about to pounce on the Mojave Desert.291

Saturday, September 13, 2014

Watercolor Landscape - Old Tree

"Old Tree"
watercolor on paper, 2014
9" x 13" (22.86cm x 33.02cm)
Direct link to painting here

A simple watercolor of an old tree hemmed in by lush green healthy ones. They seemed to be huddling around it, as if in a protective manner. I simplified the dark mass of trees to better play-off the lines of the foreground.

I also liked the shapes of this landscape, the troughed out foreground and the odd irrigation pipe loop so I painted it. That's it.290

Thursday, September 11, 2014

Watercolor Landscape - Palm Grove

"Palm Grove"   SOLD
watercolor on paper, 2014
9" x 13" (22.86cm x 33.02cm)

This palm grove near home made for a simple subject but challenging compositional design. Its simple design motif of the palm tree shapes could too easily lead to a boring design of repetitive shapes.
The right cropping and ratio of positive to negative shapes is what makes it work. The only trees shown in their full outline are the yellow green ones which are not big within the overall composition.

I took a more graphic approach for this watercolor using value for atmospheric depth but ignoring the rule of warm foreground to cooler bluer colors (only) as the landscape recedes, except for the distant tree line of blue and purple.
I like to test various ways of depicting distance and here I put the coldest color, blue, in the foreground, a blue green in the near middle ground, changing to a yellow green in the far middle ground. The far background falling into the cooler range of purple and blue.
The alternating cool, warm, cool still does a good job of showing distance - cool foreground, warm middle ground, cool background.
The color saturation and intensity falls somewhere in the middle of the scale but is low chroma.
I like to do simplistic studies like these to work out ideas for the more involved paintings. That way I am not committing huge blocks of time only to find out it did not work.289

Sunday, August 31, 2014

Labor Day Workhorse

"PHL 72 Limelight"
oil on panel, 2013
5" x 7" (12.7cm x 17.78cm)

The Pacific Harbor Line Locomotive's toil away endlessly.
They make the Los Angeles and Long Beach Harbors function.
Without them the harbors would be one big massive clog, nothing would move in or out.

It is another from my latest locomotive series.

I'm not only using this series to experiment and put down paint in different ways but also looking to make each painting unique in some way, never losing sight of capturing the Southern California light I see everyday all year long.

This was one of those glory moments. I was down in the LA Harbor area and spotted this PHL locomotive towing its prize.

I chased it down, caught it just as it switched tracks, raced back around the corner to get a better position and was just in time to catch it backing up as it passed the lime colored fence. The low-angle afternoon light illuminated the lime green fence, literally and figuratively like a limelight, and since (shiny) black is so reflective... well, you can see.

To further enhance that moment and more importantly my impression of it, I painted the light of a thinly veiled marine layer into the painting for a beautiful atmospheric effect. Gentle, soft, low-slung bright light making long shadows.

I rarely paint a locomotive without having a point of view. No, no, no.
I always see first, the painting in all its totality, then one of a locomotive in its environment. It would be short-sited and do no justice to these mules of the harbor to do a mere depiction of it.

They are the true stars of the harbor. Not the huge bloated 'fat cat' cargo ships waiting to be unloaded, not the pretty white cruise ships with all their 'lace and doilies'.
So their moment in the limelight is well deserved.

Friday, August 1, 2014

Road w/ Pipeline

"Road w/ Pipeline"
oil on panel, 2014
6" x 9" (15.24cm x 22.86cm)
Direct link to painting here

Here's a landscape not far from home. It's an unstable area under constant land movement as it slowly slides into the Pacific Ocean. Because of this the pipeline must be above ground and the road requires year round maintenance. After a rain the road can get cracks and vertical drops of several inches overnight.

To make for a better midday painting and give the hillside a dark richness and I dropped in a soft shadow from passing overhead clouds. That also made for a better separation of foreground and background.288

Wednesday, July 30, 2014

Discounted Artworks

I recently added a new category 'Discounted Artworks' to my Daily Paintworks gallery page as I prepare to post new art.
Right now a couple categories are empty since art was moved into the discounted one but I am working to refresh those with new art.
Have a look, you might find something there that is crying out to hang on your wall.

Sunday, July 6, 2014

Summer Fog

"17th St. Fog"
oil on panel, 2014
7.25" x 9.25" (18.415cm x 23.495cm)

Here is my painting that will be featured at 
Segil Fine Art Gallery in Monrovia California for the "Home, Sweet Home" Show 
(Note: As of this posting the show dates listed here on my blog are correct and have not been updated on their website). 

Opening reception is Saturday, July 26th, from 5:00 - 7:00 pm.
The show opens to the public on Saturday, July 19th.

This is a gothic farmhouse style home in my neighborhood and I have had my eye on it for a while now. This show's theme was the perfect excuse to finally get around to painting it.
But rather than do a straightforward blue sky painting I decided to add the incoming coastal fog. This is a common sight along the coast in the summer and looks like this on those bright sunny days when the marine layer is stirring about.

It rolls in, partially burning off, lingers around and does a good job of suppressing the blazing summer heat, especially when there is no real breeze to help keep it cool.287